Art, Media, and the Space of Meaning in the Interstices
Today at the reading group we touched on the question of art and technology. I myself have also made some related remarks before, for example in the comments on Professor Wu Tong’s paper in A Travelogue of the Hailar Conference: In the Western tradition of oil painting, although one carefully works with a brush during the process of painting, in the finished picture the “brush” is invisible; what appears in the picture is the object depicted. Only in more recent abstract painting or Impressionism does the “mark” of the brush begin to be left on the canvas. Chinese ink painting, by contrast, makes extensive use of brushstrokes; “as Zhang Yanyuan…
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